1 / 43 – Dan Rees, Falling Sky, 2018, 37, framed photographs, dimensions variable
2 / 43 – Dan Rees, Artex, 2018, oil on canvas, 90 x 90 cm
3 / 43 – Dan Rees, Artex, 2018, oil on canvas, 110 x 110 cm
4 / 43 – Dan Rees, Dogs, 2018, framed photographs (32 frames)
5 / 43 – Dan Rees, Artex Painting, 2016, oil on canvas, 160 × 210 cm
6 / 43 – Dan Rees, Artex painting, 2018, acrylic on canvas, 90 × 120 cm
7 / 43 – Dan Rees, Artex Painting, 2015, oil on canvas, 240 × 300 cm
8 / 43 – Dan Rees, Artex Painting, 2017, oil on canvas, 180 × 160 cm
9 / 43 – Dan Rees, Artex Painting, 2017, oil on canvas, 200 × 300 cm
10 / 43 – Dan Rees, Ruins of the Cambrian Age, 2016, Tanya Leighton Gallery, Berlin
11 / 43 – Dan Rees, Depressed Earth, 2016, Múrias | Centeno, Lisbon
12 / 43 – Dan Rees, Road Back To Relevance, 2016, Nomas Foundation, Rome
13 / 43 – Dan Rees, Artex Painting, 2016, oil on canvas, 160 x 210 cm
14 / 43 – Dan Rees, The Road Back to Relevance, 2015, presentation deck video, Dolby Digital sound, 13' 53'', Nomas Foundation, Rome
15 / 43 – Dan Rees, A Misunderstood Weed, 2016, IBC tank, salt water, seaweed, plastic, LED lights, 100 x 120 x 117 cm, Nomas Foundation, Rome
16 / 43 – Dan Rees, Road Back To Relevance, 2016, Nomas Foundation, Rome
17 / 43 – Dan Rees, Think Local, Act Global, 2015, MOT International, Brussels
18 / 43 – Dan Rees, Think Local, Act Global, 2015, MOT International, Brussels
19 / 43 – Dan Rees, Think Local, Act Global, 2015, MOT International, Brussels
20 / 43 – Dan Rees, Artex Painting, 2015, oil on canvas, 200 × 150 cm
21 / 43 – Dan Rees, Artex Painting, 2014, oil on canvas, 240 x 240 cm
22 / 43 – Dan Rees, Stimulate Surprise, 2015, Tanya Leighton, Berlin
23 / 43 – Dan Rees, Stimulate Surprise, 2015, Tanya Leighton, Berlin
24 / 43 – Dan Rees, Gravel Painting, 2014, oil, rocks and pebble dash, 150 x 150 cm
25 / 43 – Dan Rees, Gravel Painting, 2014, oil, rocks and pebble dash, 200 x 300 cm
26 / 43 – Dan Rees, Artex Painting, 2014, installation in private home
27 / 43 – Dan Rees, Artex Painting, 2014, installation in private office
28 / 43 – Dan Rees, Artex Painting, 2014, installation in private home
29 / 43 – Dan Rees, Artex Painting, 2014, installation in private home
30 / 43 – Dan Rees, Artex Painting, 2012, installation in private home
31 / 43 – Dan Rees, Top Heavy, 2013, T293, Rome
32 / 43 – Dan Rees, Kelp, 2013, mannequin, vintage Yves Saint Laurent suit, printed cardboard boxes, plinths, 180 x 180 x 180 cm, The National Museum of Wales, Cardiff
33 / 43 – Dan Rees, Trivision billboard, 2013, aluminum, motor, 300 x 400 cm, The National Museum of Wales, Cardiff
34 / 43 – Dan Rees, Delessaria Sanguinea, 2013, digital print, 80 x 60 cm
35 / 43 – Dan Rees, Boys Sharing Flip Flops, 2013, C-Print, 159 x 127 cm
36 / 43 – Dan Rees, Gravel Master, 2013, The Goss-Michael Foundation, Dallas
37 / 43 – Dan Rees, Gravel Master, 2013, The Goss-Michael Foundation, Dallas
38 / 43 – Dan Rees, Gravel Master, 2013, The Goss-Michael Foundation, Dallas
39 / 43 – Dan Rees, In the ghetto it gets cold but we've got something to warm our soles, 2012, black and white photograph, 80 x 60 cm
40 / 43 – Dan Rees, Vacuum painting, 2012, oil on canvas, vaccum storage bag, glass, 140 x 110 x 25 cm
41 / 43 – Dan Rees, Shaker Peg Painting (Triptych), 2011, oil on linen, wooden peg rails, 180 x 429.5 x 10 cm
42 / 43 – Dan Rees, Artex Painting, 2012, oil on canvas, 143 x 104 x 7 cm
43 / 43 – Dan Rees, Shaker Peg Painting III, 2010, oil on linen, wooden peg, 89 x 137 x 10 cm
