Tina Dion
Selected Works
Tina Dion Oh god, why did I fall in love (ای خدا، چرا عاشق شدم من؟)
2025oil and tape on linen / olio e nastro su lino
152.4 × 121.92 cm (60 × 48 inches)
You’re grand like the moment that rain begins to fall (تو بزرگی، مث اون لحظھ کھ بارون میزنھ)
2025oil on linen / olio su lino
152.4 × 121.92 cm (60 × 48 inches)
Thanks to this heart, I don’t have one calm night (از دست این دل، یک شب آروم ندارم)
2026oil on linen / olio su lino
152.4 × 121.92 cm (60 × 48 inches)
The autumn of my heart is silent and cold (پایی ِز قلبم ساکت و سرده)
2026oil on linen / olio su lino
152.4 × 121.92 cm (60 × 48 inches)
Why do my eyes lack tears? (چراچشمایمناشک ُشکممیاره؟)
2026oil on linen / olio su lino
152.4 × 121.92 cm (60 × 48 inches)
Yes, I am a sinner. (من گناهکارم، آری)
2026oil and tape on linen / olio e nastro su lino
152.4 × 121.92 cm (60 × 48 inches)
Our home is far far away (خونه ی ما دور دوره)
2026oil and tape on linen / olio e nastro su lino
152.4 × 121.92 cm (60 × 48 inches)
Biography
Tina Dion (b. 1992) is an Iranian-American painter living and working in New York City.
Born in Iran and raised in Los Angeles, her work is driven by an ongoing inquiry into memory, displacement, and the construction of identity. Growing up immersed in Persian poetry, music, and cultural traditions shaped the way she experiences the world—with lyricism, emotional intensity, and a sensitivity to metaphor. This early immersion fostered a deeply reflective temperament and a sustained engagement with questions of beauty, history, and the inner life, all of which continue to inform her practice. Working primarily in oil, Dion draws from archival imagery of pre-1979 Iran—including vintage magazines and photographs of royal women—which she reimagines through a visual language that moves between figuration and abstraction. The introduction of tape across the faces of her subjects marked a decisive breakthrough in her practice, becoming the catalyst for a body of work centered on censorship, visibility, and erasure. Through this gesture— both obstructive and painterly—alongside a particular sensitivity to the rendering of women’s hair, her paintings examine the politicization of the female body and the tension between beauty, control, and autonomy within both personal and collective histories. Dion received her Bachelor’s degree from the University of Southern California and her Master of Fine Arts from the New York Academy of Art. Her work has been included in group exhibitions, and her paintings are held in various private collections in the United States and abroad.
Gallery Exhibitions
Selected Press
5.03.2026
MarieClaire
Iran tra guerra e memoria: la mostra di Tina Dion
21.03.2026
RollingStone
L’IRAN, RACCONTATO DALLE DONNE DI TINA DION
4.04.2026
Exibart
Nel mondo di Tina Dion, dove l’immagine porta le tracce del rimosso
10.04.2026
Segnonline
Behind Cypress Forests: i volti interrotti di Tina Dion
CV
MFA - New York Academy of Art