With a focus on painting, Si On’s wide-ranging practice also encompasses sculpture, installation, video, performance, and photography. In her paintings, she combines paints with various materials including Styrofoam, cloth, and chewing gum, and melts the surface with a gas burner and uses other mixing techniques to create brightly colored depictions of misshapen figures, skulls, monsters, and other grotesque images. Her themes bring together such elements as mudang (Korean shamans), today’s pop culture, and conflicting everyday feelings all on the same surface. This chaotic multilayeredness present in both her methodologies and themes is a characteristic that runs throughout all of Si On’s diverse and striking works. Doomsday, a new piece made for this exhibition, is an installation in which small chapels and sculptures are arranged within a giant wave created out of three tons of clothing. “The giant wave suggests the destruction that mass consumption causes as well as forms a semblance of unstoppable capitalist society itself,” says Si On. The small chapels placed inside seem to symbolize powerlessness and a salvation that has been left behind. In the work, the viewer can detect multiple layers of contexts, from the colors used in mudang ornaments to Polish Catholic culture, mass consumption, and environmental issues. This expresses the diversity of contemporary society while also vividly and faithfully reflecting Si On’s own experiences, emotions and thoughts to date. Her lucidly yet compellingly expressed art certainly seems able to transcend individual differences and appeal to many.