1 / 32 – James Beckett, Negative Space: A Scenario Generator for Clandestine Building in Africa (analogue version), 2017, detail
2 / 32 – James Beckett, Negative Space: A Scenario Generator for Clandestine Building in Africa (analogue version), 2017, installation at MCAD, Manila, 7 December 2017 - 4 March 2018
3 / 32 – James Beckett, 'The Guinness Curse', installation view, T293, Rome
4 / 32 – James Beckett, 'The Guinness Curse', installation view, T293, Rome
5 / 32 – James Beckett, Natalya 2, 2017, wood, UV printed glass, 180 x 100 x 11 cm
6 / 32 – James Beckett, 'The Guinness Curse', Installation view, T293, Rome
7 / 32 – James Beckett, Palace Ruin, 2016, Public art installation, Zuidas, Amsterdam
8 / 32 – James Beckett, Most Notable Car Deaths: Seymour Cray, supercomputer architect, 2016, Jeep Wrangler brake cable, KISS buttons, wooden grid, fake white leather, printed glass, 128 x 235 cm
9 / 32 – James Beckett, Most Notable Car Deaths: Frank Ryan, plastic surgeon, 2016, Jeep Wrangler brake cable, KISS buttons, wooden grid, fake white leather, printed glass, 60 x 34 cm (each)
10 / 32 – Artun Alaska Arasli & James Beckett, Hospice, 2015, Markus Lüttgen, Cologne
11 / 32 – James Beckett, Negative Space: A Scenario Generator for Clandestine Building in Africa, 2015, 56th Venice Biennale
12 / 32 – James Beckett, Negative Space: A Scenario Generator for Clandestine Building in Africa, 2015, 56th Venice Biennale
13 / 32 – James Beckett, KaVo Zahnarztstuhl Regie 1520 A, 2014, installation of dentist chair in cross-section with associated devices, original operating and promotional material in 10 frames (variable sizes), installation view, Wilfried Lentz, Rotterdam
14 / 32 – James Beckett, KaVo Zahnarztstuhl Regie 1520 A, 2014,installation of dentist chair in cross-section with associated devices, original operating and promotional material in 10 frames (variable sizes), installation view, Wilfried Lentz, Rotterdam
15 / 32 – James Beckett, Dowsing Schools: Preliminary Findings and Corresponding Survey Kit,2013, installation view, De Appel Arts Centre, Amsterdam
16 / 32 – James Beckett, Voodoo Justice for People of Finance, 2013, framed portraits, rocks on shelves
17 / 32 – James Beckett, Passionate Advocate for a Poisoned Earth, 2013, TWAAS, New York
18 / 32 – James Beckett, Passionate Advocate for a Poisoned Earth, 2013, archival photographs, bottles, steel, fibonacci-style expanding models of ddt in multiplex cavity
19 / 32 – James Beckett, Passionate Advocate for a Poisoned Earth, 2013, archival photographs, bottles, steel, fibonacci-style expanding models of ddt in multiplex cavity
20 / 32 – James Beckett, The Relationship between Colourbred Canaries and DDT Packaging, 2013, stuffed canary, acrylic and mounted inkjet print on canvas, 26 x 94 x 12 cm
21 / 32 – James Beckett, The Relationship between Colourbred Canaries and DDT Packaging, 2013, stuffed canary, acrylic and mounted inkjet print on canvas, 26 x 94 x 12 cm
22 / 32 – James Beckett, Park Life: Lions and Tigers Shot Dead after Zoo Escape, 2012, workshop cupboard doors, framed newspaper clipping on pole, dimensions variable
23 / 32 – James Beckett, Park Life: Serial Killer Hides Bodies in Tree, 2012, workshop storage boxes, fra-med magazine article on pole, dimensions variable
24 / 32 – James Beckett, Door and Milk Door Frames (3-5), 2012, wood, paint, dimensions variable
25 / 32 – James Beckett, Potential instruments and environment 1, 2011
26 / 32 – James Beckett, Potential instruments, 2011, ski-poles, wooden spoons, bayonets, varnish, string, metal tubing (8 elements)
27 / 32 – James Beckett, The Pierson Belongs to Itself, Others and Us, 2010
28 / 32 – James Beckett, 2011, Stack 8, objects from the collection of Museum Hilversum
29 / 32 – James Beckett, Stack Façade 1, 2011, mixed deteriorated exotic woods, 282 x 120 x 26 cm
30 / 32 – James Beckett, Volume 1 and Volume 2, shrine vitrine and empty fuel vessel
31 / 32 – James Beckett, Transportable Molding Bit Archive, 2011
32 / 32 – James Beckett, Transportable Molding Bit Archive, 2011
